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      Ellie Brown  
		Self-Titled Book Statement
		
		The Self-Titled book series 
		plays with the idea of a book and how one looks at it and receives information. The pages of the books are glued together to render it unopenable.  Inside the book, a portion is cut out to reveal a window of 
		thought illustrated though collage.  The two-collaged pieces in the book 
		work in both a juxtaposed and harmonic dialogue. By destroying the 
		actual content of the book and adding my own in its place, I ask the 
		viewer to question what information is gathered without the actual text 
		of the book.  I have taken the power of director from the author for 
		myself, hereby deciding how I believe the book should read based on a 
		series of judgments.  In altering the intended content of the books, I 
		have created a book- shelf that reflects my own desires and points of 
		view.  As the viewer approaches the bookshelf, she expects an experience 
		that in the end will differ from what actually occurs.  It is the 
		tension between expectations and experience, information available and 
		information withheld that exists between the cover and the inside of 
		these altered books. 
		
		Most of the books I’ve 
		chosen to alter reflect antiquated or stereotypical ideas about gender 
		and sexuality. The books evoke a range of critical feelings in me that 
		go from bemusement to anger. My collaged alterations challenge and mock 
		the ideas presented on the books’ cover and with its original content. I 
		do this in a way that creates a new text to soothe my questioning of the 
		books’ original context. This lets me regain control of the content to 
		suit my own views about gender and sexuality. 
		
		The left side of the slide 
		image represents the cover of the book and the right side shows the only 
		viewable inside.  The current manifestation of this work is in the form 
		of Archival Epson Prints ranging in size from 13x19 to 20x26”. The 
		prints look exactly as the slide images do, preserving most of the 
		dimensionality and texture of the book through the scanning process. The 
		prints remove the meaning and context of the book one step further 
		making them a complement to the books that they are derived from. 
		
		
		
		www.elliebrown.com 
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